Appropriation: The battle for authorship in 16th Century Italy
The development of the first art academies in the 16th century, specifically the Accademia del Disengo in Florence, sponsored by Cosimo I de’Medici: How did the academic system codify and transform traditional artistic practices? How does art develop differently/artistic practice change post the rise of the academy? How do the works of academic artists, like Giorgio Vasari, Benvenuto Cellini, etc., reflect this system?
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